vfxblog

Rob Cohen's Mummy 3 blog has a new video featuring some of the visual effects work for the film.

Digital Domain has a new making of clip on its website (under Behind the Scenes) for the driving rainstorm scene in We Own the Night.

VFXWorld interviews Imageworks animation supe David Schaub about the alternate ending of I Am Legend. Includes befores and afters clips.

I Am Legend Returns with Alternate Ending

4 Questions for Star Wars Modelmaker Grant McCune, at Popular Mechanics.

Art of Digital 3D Stereoscopic Film article and podcast at fxguide.

CG Channel interviews vfx supe Everett Burrell about The Mist.

Horton Hears a Who coverage at CGSociety.

H.K. effects industry growing strong, at The Hollywood Reporter.

VFXWorld interview with Imageworks supe Sheena Duggal about the Chicago Spire short.

Imageworks Gets Inspired by Chicago Spire

The Mill for Coke: Super Bowl Revisited, at fxguide.

Dr. Suess' Horton Hears a Who! 'Tech Talk' video.

CGSociety's article on 10,000 B.C., with some nice pre-vis shots.

Doomsday: A VFX Cure for the Reaper Virus, at VFXWorld.

Tim Alexander on Innovative VFX and The Spiderwick Chronicles, at Film & Video magazine.

CG Channel interviews Intelligent Creatures' Lon Molnar.

Scott Kirsner from CinemaTech has some notes about the Animation and Digital Effects on a Budget panel he hosted at SXSW.

Tippett Studio's Cloverfield and Spiderwick Chronicles ads from Cinefex 113, via meyemind.

How was the menacing saber-toothed critter rendered? in 10,000 B.C., from the Los Angeles Times.

VFXWorld looks at Anthem's effects for Tin Man.

Tin Man: Art Deco Oz -- Oh, My!

A small sidebar article (that I'd missed) from millimeter magazine on the visual effects in There Will Be Blood.

Digital Dimension has launched a new website. Can't wait to see the specialty and before and after reels.

Behind the Scenes of 10,000 B.C.'s Saber-Toothed F/X Realism, at Popular Mechanics.

10,000 BC: To Furtility and Beyond, at VFXWorld.

Pulling the Wool Over: MPC circa 10,000BC, at fxguide.

CJ7: Hong Kong Action With an Alien Twist, at VFXWorld.

Perspective Magazine, the Journal of the Art Directors Guild & Scenic, Title and Graphic Artists, is great.

Cinefex 113 covers The Spiderwick Chronicles, 10,000 B.C., Charlie Wilson's War, Cloverfield, Sweeney Todd, Jumper and AVP: Requiem.

VFXWorld reports on the visual effects of season 4 of Lost.

Lost: Season 4 -- VFX Interruptus

Good Morning America visits Imageworks and asks, Do Actors Really Matter Any More?.

LA Times 'Scene Stealer' article and pics on The Spiderwick Chronicles.

Post Magazine on Zoic's VFX for The Sarah Connor Chronicles.

Behind the scenes of The Mill's 'It's Mine' Superbowl spot for Coke (the one with the balloons) on BEAM.TV and YouTube.

The Lucas Empire Strikes Back With Richard Kerris, at VFXWorld.

Variety's 1993 article on the genesis of Digital Domain. (via digitalgypsy)

BoingBoing has a little bit of info blogs about ILM John Knoll's presentation at TED 2008.